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Title

Violins and Violinists – The occasional magazine of Benjamin Hebbert, Violin Dealer & Expert

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Instagram @mrstradman Instagram @benjaminhebbertviolins Facebook benjaminhebbertviolins Visit Us www.hebberts.com Instagram @mrstradman Instagram @benjaminhebbertviolins Facebook benjaminhebbertviolins Visit Us www.hebberts.com Latest Trending Pernambuco in 17th century Amsterdam Our understanding of the use of Pernambuco wood for violin bow making suggests that it did not really come into vogue until the end of the eighteenth century and the…

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Proprieta Contenuto
type website
title Violins and Violinists
description The occasional magazine of Benjamin Hebbert, Violin Dealer & Expert
url https://violinsandviolinists.com/
site_name Violins and Violinists
image https://i0.wp.com/violinsandviolinists.com/wp-content/uploads/2024/05/cropped-Violins-and-Violinists-50x50-with-border-copy-2.jpg?fit=608%2C608&ssl=1
image:width 608
image:height 608
locale en_US

Headings

H1 H2 H3 H4 H5 H6
0 31 48 0 0 0
  • [H2] Latest
  • [H2] Trending
  • [H2] Trending
  • [H2] Trending
  • [H2] Fiddles in Focus | Instruments of outstanding historical merit.
  • [H2] Essays on Cremona | Studies on the Golden Age of Italian violin making.
  • [H2] “That Neat Kind of Acer”: Sources for Italian maple in 1669
  • [H2] Vitruvian Man, the braccio, the gamba and the beginning of the violin.
  • [H2] Michelangelo, Marco Girolamo Vida and some art-historical foundations for Andrea Amati…
  • [H2] Andrea Amati, the Campi family and the artistic milieu of 16th Century Cremona.
  • [H2] Andrea Amati and the Spanish Set.
  • [H2] Ruggerio Ricci’s “Glory of Cremona”: Helpful Hints on Trying Violins & Bows
  • [H2] Antonio Stradivari, A Gala Celebration 1737-1987
  • [H2] Find me on Instagram | @benjaminhebbertviolins
  • [H2] Great British Violins | My passion and expertise.
  • [H2] Knowledge Exchange: Newark School of Violin Making.
  • [H2] A Violoncello by Barak Norman, London, 1704
  • [H2] Some British women in the violin-making world, 1550-1750.
  • [H2] Violin making in Northern Europe in the time of the Amatis: Part 2
  • [H2] Lt. Colonel Joh Stewart and the Jacobite violin-maker
  • [H2] Musicians in a time of Plague: London 1665.
  • [H2] Fake or Fortune: Is it a real Stradivarius?
  • [H2] Browse by Category
  • [H2] SUPPORT
  • [H2] For general, media and podcast inquiries please email us at:
  • [H2] violins@hebberts.com
  • [H2] Subscribe Now
  • [H2] Copyright © 2024 · All Rights Reserved · Violins & Violinists
  • [H2] Subscribe To Our Weekly Newsletter
  • [H2]
  • [H2]
  • [H3] Knowledge Exchange: Newark School of Violin Making.
  • [H3] FORENSIC CASEBOOK: A Storioni label that almost had us fooled.
  • [H3] FORENSIC CASEBOOK: Alternatives to UV photography to illustrate varnish restoration.
  • [H3] Camillo Sivori: Hearing the ghost of Paganini
  • [H3] “That Neat Kind of Acer”: Sources for Italian maple in 1669
  • [H3] Pernambuco in 17th century Amsterdam
  • [H3] Knowledge Exchange: Newark School of Violin Making.
  • [H3] FORENSIC CASEBOOK: A Storioni label that almost had us fooled.
  • [H3] FORENSIC CASEBOOK: Alternatives to UV photography to illustrate varnish restoration.
  • [H3] Camillo Sivori: Hearing the ghost of Paganini
  • [H3] “That Neat Kind of Acer”: Sources for Italian maple
  • [H3] Pernambuco in 17th century Amsterdam
  • [H3] Knowledge Exchange: Newark School of Violin Making.
  • [H3] A Violoncello by Barak Norman, London, 1704
  • [H3] Andrea Amati and the Spanish Set.
  • [H3] Voller – plain and simple.
  • [H3] Knowledge Exchange: Newark School of Violin Making.
  • [H3] FORENSIC CASEBOOK: A Storioni label that almost had us fooled.
  • [H3] FORENSIC CASEBOOK: Alternatives to UV photography to illustrate varnish restoration.
  • [H3] Camillo Sivori: Hearing the ghost of Paganini
  • [H3] “That Neat Kind of Acer”: Sources for Italian maple in 1669
  • [H3] Pernambuco in 17th century Amsterdam
  • [H3] FORENSIC CASEBOOK: Crack repairs covered by a varnish that becomes opaque under ultraviolet light.
  • [H3] FORENSIC CASEBOOK: Detecting half-tone lithography on an obscured label.
  • [H3] FORENSIC CASEBOOK: High levels of carbon in printer’s ink illuminated through the back of a violin at 850nm.
  • [H3] James Tubbs & The Elgar Bow
  • [H3] A Violoncello by Barak Norman, London, 1704
  • [H3] Vitruvian Man, the braccio, the gamba and the beginning of the violin.
  • [H3] Michelangelo, Marco Girolamo Vida and some art-historical foundations for Andrea Amati…
  • [H3] Andrea Amati, the Campi family and the artistic milieu of 16th Century Cremona.
  • [H3] Andrea Amati and the Spanish Set.
  • [H3] Markneukirchen 1906: villages of violin makers
  • [H3] It woz me wot done it…
  • [H3] The Scandal of the Cellist and the Washtub.
  • [H3] Pernambuco: Help save the tree of harmony
  • [H3] Josquin in England: Some additional notes.
  • [H3] Spoliation and the violin trade: A 21st CENTURY DEALERS VIEW
  • [H3] Some British women in the violin-making world, 1550-1750.
  • [H3] Violin making in Northern Europe in the time of the Amatis: Part 2
  • [H3] Violin Making In Northern Europe in the time of the Amatis: Part 1.
  • [H3] Lt. Colonel Joh Stewart and the Jacobite violin-maker
  • [H3] Musicians in a time of Plague: London 1665.
  • [H3] Fake or Fortune: Is it a real Stradivarius?
  • [H3] Ruggerio Ricci’s “Glory of Cremona”: Helpful Hints on Trying Violins & Bows
  • [H3] Antonio Stradivari, A Gala Celebration 1737-1987
  • [H3] Nicolo Paganini: George Patten’s 1832 Preparatory Study from Life.
  • [H3] Share this:
  • [H3]

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Anchor Type Juice
Violins and Violinists Interno Passing Juice
Knowledge Exchange: Newark School of Violin Making. Interno Passing Juice
FORENSIC CASEBOOK: A Storioni label that almost had us fooled. Interno Passing Juice
FORENSIC CASEBOOK: Alternatives to UV photography to illustrate varnish restoration. Interno Passing Juice
Camillo Sivori: Hearing the ghost of Paganini Interno Passing Juice
“That Neat Kind of Acer”: Sources for Italian maple in 1669 Interno Passing Juice
Pernambuco in 17th century Amsterdam Interno Passing Juice
A Violoncello by Barak Norman, London, 1704 Interno Passing Juice
Andrea Amati and the Spanish Set. Interno Passing Juice
Voller – plain and simple. Interno Passing Juice
May 25, 2024 Interno Passing Juice
Vitruvian Man, the braccio, the gamba and the beginning of the violin. Interno Passing Juice
April 1, 2024 Interno Passing Juice
Michelangelo, Marco Girolamo Vida and some art-historical foundations for Andrea Amati… Interno Passing Juice
March 26, 2024 Interno Passing Juice
Andrea Amati, the Campi family and the artistic milieu of 16th Century Cremona. Interno Passing Juice
March 12, 2024 Interno Passing Juice
March 8, 2024 Interno Passing Juice
Ruggerio Ricci’s “Glory of Cremona”: Helpful Hints on Trying Violins & Bows Interno Passing Juice
January 9, 2020 Interno Passing Juice
Antonio Stradivari, A Gala Celebration 1737-1987 Interno Passing Juice
January 8, 2020 Interno Passing Juice
December 16, 2024 Interno Passing Juice
May 3, 2024 Interno Passing Juice
Some British women in the violin-making world, 1550-1750. Interno Passing Juice
March 8, 2021 Interno Passing Juice
Violin making in Northern Europe in the time of the Amatis: Part 2 Interno Passing Juice
November 7, 2020 Interno Passing Juice
Lt. Colonel Joh Stewart and the Jacobite violin-maker Interno Passing Juice
September 7, 2020 Interno Passing Juice
Musicians in a time of Plague: London 1665. Interno Passing Juice
March 20, 2020 Interno Passing Juice
Fake or Fortune: Is it a real Stradivarius? Interno Passing Juice
About Externo Passing Juice
Contact Externo Passing Juice
Home Interno Passing Juice

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violins benjaminhebbertviolins violin amati instagram forensic wwwhebberts casebook andrea cremona

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violin 14
violins 10
amati 10
andrea 10
wwwhebberts 8

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